Author Archives: Brendan

Brendan SoundCloud Stats: more detail, more speed

Today we’re excited to announce the launch of a completely redesigned Stats page for all SoundCloud users who share their music and audio. Jami’s here to tell you all about it:

  • Free users can view which of their tracks are played, liked, reposted, downloaded, and commented on the most.
  • Pro users can see their top fans on SoundCloud and the countries where their tracks are popular. Reach out to your top fans with SoundCloud messaging to connect and get feedback. You may find you have a fan base halfway around the world – plan your latest release or tour based on where your tracks are being played.
  • With a Pro Unlimited account, you get the above features and can also see the websites, apps, and social networks that people are listening from. Use this data to understand the network you’re a part of – you could find you’ve been written up on a blog or that many people are reposting your tracks on SoundCloud.

Based on your feedback, we’ve significantly streamlined the design. All of your stats are now viewable from one page.

SoundCloud Stats Music Audio Creator

Access your redesigned stats in the drop down menu to get started learning more about who’s playing your sounds.

SoundCloud Stats

Find more details about how to use your stats in the help center. Can’t see your redesigned stats? Please hold tight — we’re rolling the feature out in stages, so if you don’t see it yet, you will soon.

 

Brendan Most beautiful sound in the world competition winner Marc Anderson

SoundCloudWe checked in with Marc Anderson, winner of the recent Most Beautiful Sound in the World Competition sponsored by The Sound Agency and Beautiful Now, to ask about the winning sound – a recording he calls “Dusk by the Frog Pond”, recorded on site in Kubah National Park, Sarawak, Malaysia.

“It was just by chance I came across the frog pond in Kubah National Park. It appeared to be an ideal location to record, so I set up my microphones and recorder and left them for an hour or so. The forest was pulsing with life – cicadas, frogs, birds, insects. I don’t know if I’ve heard a richer natural chorus than that afternoon in Kubah. Interestingly, one of the frog species which you can hear on the recording was only discovered in 2010.”

Marc describes himself as having, “always had a love for nature. At about the age of 14, I made birdwatching my hobby, enjoying the discovery and satisfaction that comes with seeing new species for the first time. Since then my interest has only grown and I still feel like a big kid with lots to learn.”

In addition to be a professional photographer, in recent years Marc’s become fascinated with the sounds of nature – bioacoustics: “While photography captures one dimension of nature, sound recording opens up a new world of discovery. With the excellent sound equipment available today, I love being able to capture what I feel is even more evocative and more accurate than a visual image, an audio image of a particular location and moment in time.”

You can hear more of Marc’s recordings on his SoundCloud profile, check out his new project called Nature Soundmap, and hear his interviews with Shira White of Beautiful Now and Julian Treasure of the Sound Agency, below.


Brendan Red Fang Guitar Solo Contest Winners


SoundCloud + tOCK + Red Fang
In conjunction with Relapse Recordsmetalsucks.net, and IndieMerchstore, Metal band Red Fang ran a contest on SoundCloud inviting fans to put their own solos on the band’s latest single Blood Like Cream. They removed the band’s solos and made the song available for download via their label’s SoundCloud profile, then asked people to upload to a group made for the contest.

Over 75 people submitted solos. Red Fang said: “The response to the contest was really overwhelming! Thanks to everyone for submitting so many amazing interpretations of these solos! We won’t bore you with cliches about how hard it was to pick a winner. Just check it out and see what you think…”

Here are the Grand Prize winning solos, from Owen Gibbons, known around SoundCloud as tOCK: (The first one begins at “1:40″ and the second one starts at “2:44″) 

Owen’s confidence carried him through: “When [I saw] the Red Fang guitar solo competition on Facebook, I [said], ‘I just hope my solo is not so bitchin’ that it causes them to disband when they hear it.’ ” He’s kidding, of course: he describes himself as a “huge fan” of the band.

For his own solo, Owen “tried to mimic what they would play (loose, groovy, chaotic and lots of feel) but it sounded too contrived. I ended up using patterns from my own style which are usually in darker, minor keys. The chord progression was a little off-the-wall for a solo break, so what I did on the first one was largely follow the shape of a minor barre chord and play around that shape. The second solo was a variant of the classic blues scale.”

Runners Up Ocean Of Emptiness and Overcaust were also excited about the opportunity to collaborate with Red Fang as well as the potential to win boutique guitar pedals, an LP, and concert tickets.

Eric Zann from the band Ocean of Emptiness, “wanted to do a sleazy, over the top 3 part guitar harmony to start out the first solo, and then just see where things went from there.” His second solo, “oscillates between some harmonic minor and some good old pentatonic minor blues box lines.”

SoundCloud creator Manuel Higuera Pascual, who plays under the name OverCaust, decided on a slide solo: “I was trying to do a very wild solo with good structure, so it was 80% composed. The solo was recorded three times, so you’re hearing three guitars playing at the same time, which was an accident while recording, but I liked it so there it is. The other solo was improvised in the opening and I changed the phaser rate manually with my picking hand to get this wave effect. The chord progression was a bit tricky with those tritones so I used a harmonic scale on the slide solo and arranged the notes on the middle part of the second solo in relation to the backing chords, to create a melody.”

Initially, Red Fang was only going to choose 3 winners. They were so impressed with a number of the solos, however, that they decided to award a couple of honorable mentions as well.

Like a couple of the other contestants, creator Palle Demant was open to serendipity and ended up leaving something that was initially a mistake in his solo:  “I ran the guitar through an old Space Echo and then through a POD 2 box and by accident connected it wrong, but it sounded fun/good and kept it like that. Creatively, it was [an] inspiring and fun challenge.”

Wieczny Powrót thinks, “the idea of a solo contest with a “real” song is pretty cool. Usually you have to record a solo to some lame backing track.” His solo was, “100% improvisation. It took me two or three attempts to record it. I used the minor pentatonic, the eolian scale and some chromatic notes.” Like a lot of good guitar players he believes,  “in the rule that you can play whatever you want If you land on the notes from the right scale.”

If you’d like to hear some of the other entries, they’re all still available in the group formed for the contest.